STUDENT BILL FALLER WITH TEACHER DAVID STANWOOD
DAVID
STANWOOD
TEACHES
THE NEW WORLD MODEL FOR BALANCING GRAND PIANO ACTIONS
LIVE ONLINE!
SAT 9.15.2018
$987 / yr - 7 LECTURES + BONUSES
$200 Just $150 Until 8/30
*CAN'T MAKE THE LIVE LECTURE? Full online access to the lecture recording and related downloads is granted to all ticket holders.
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  • Full Soundboard Design Lecture
  • Live Interactive Access
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  • Private Discussion Group
  • Downloads + Resources
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early Bird Offer #2
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150
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200
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225
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THE NEW WORLD MODEL FOR BALANCING 
GRAND PIANO ACTIONS
WITH
DAVID STANWOOD
LEARN A NEW
 SIMPLE THREE STEP APPROACH 
FROM A WORLD-RENOWNED TECHNICIAN 
IN HIS HOME
WITHOUT LEAVING YOURS
  • *Full online access to the lecture recording and related downloads is granted to all ticket holders.
LECTURE #7 COURSE DESCRIPTION
Finally, a worthy and welcome approach that supersedes the unreliable old world model of setting key leads with down weights.
The most simple, comprehensive, and time saving system for creating reliably perfect touch with replacement hammers.
ELIMINATE THE DRAMA OF DEALING WITH KEY LEADS 
Stanwood's Coded Key Weighting™ scales use stock or customized key weighting specifications that give a whole new meaning to key balancing. Key leads are installed once and for all in each key with digital scale accuracy. Install them yourself or send the keys to a key balancing service provider.
ELIMINATE THE COMPUTER
Measuring down weight and up weight with sample hammer weights on just a few test notes determines the stock or customized Hammer Strike Weight scale that balances the whole action. The Stanwood SNAP!™ method automatically matches hammer weight and action ratio to create any desired dynamic inertial playing type. Stanwood SNAP!™ does not require the need for a computer. 
ELIMINATE UNNECESSARY WORK
The action is balanced to the desired level of accuracy by adding or subtracting hammer weight to make the Hammer Strike Weight Scale specifications with digital scale accuracy. Learn how to order hammers of the right weight level from suppliers for the least work.
ABOUT THE LECTURER
DAVID STANWOOD

CHRONOLOGY:

1977-1979 

ATTENDED NORTH BENNET SCHOOL UNDER BILL GARLICK AND DAVID BETTS

1979

SET UP RESTORATION AND TUNING BUSINESS RELOCATING TO MARTHA’S VINEYARD

1984

STARTED USING AND PROMOTING THE USE OF COLD PRESSED HAMMERS WHICH THE INDUSTRY ABANDONED AFTER WWII

1988

INVENTED THE  ADJUSTABLE LOW INERTIA JACK USING HIS DESIGN WHICH ELIMINATES THE SCREW AND BUTTON ON THE JACK.   THE BUTTON IS MOUNTED ON THE SPOON AND ADJUSTMENT IS ACHIEVED BY BENDING THE JACK WITH A MODIFIED SPOON BENDER. 

1990

INVENTED THE  HARD ANODIZED ALUMINUM CAPSTAN FOR REDUCING WEIGHT AND FRICTION AS WELL AS  ELIMINATING OXIDATION ISSUES ASSOCIATED WITH BRASS.  LATER ADOPTED BY MASON & HAMLIN. 

1990

PUBLISHED   "MASTERING FRICTION WITH THE BALANCE WEIGHT SYSTEM" WHICH ACCOUNTS FOR AND CORRECTS ERRORS IN THE KEY WEIGHTS CAUSED SETTING EVEN DOWN WEIGHT WITH UNEVEN FRICTION.  COINED THE TERMS BALANCE WEIGHT AND FRICTION WEIGHT.

1996

PUBLISHED  "THE NEW TOUCHWEIGHT METROLOGY" AND DESCRIBED HIS EQUATION OF BALANCE WITH NEW METHODS FOR MEASURING  AND CALCULATING “TOUCH DESIGN COMPONENTS”- A NEW CONCEPT.  HIS NEW MEASURES INCLUDE: STRIKE WEIGHT WHICH ALLOWS FOR HAMMER WEIGHT TO BE MEASURED “ON THE SHANK”.   FRONT WEIGHT WHICH DESCRIBES THE PRECISE EFFECT THAT LEAD WEIGHTS IN THE KEY HAVE ON DOWN AND UP WEIGHT.   WIPPEN WEIGHT WHICH DESCRIBES THE WEIGHT ON THE CAPSTAN FROM THE WIPPEN.  KEY WEIGHT RATIO WHICH DESCRIBES HOW THE WIPPEN WEIGHT TRANSLATES TO AN UPWARD FORCE AT THE FRONT OF THE KEY.  TWO IMPORTANT CALCULATED VALUES ARE DESCRIBED IN THIS PUBLICATION:  TOP ACTION BALANCE WEIGHT- THE SUM OF FRONT WEIGHT AND BALANCE- DESCRIBES THE TOTAL UPWARD STATIC FORCE AT THE FRONT OF THE KEY RESULTING FROM THE LEVERAGED WEIGHT OF THE HAMMER AND WIPPEN.   STRIKE WEIGHT RATIO - THE AMOUNT OF WEIGHT AT THE FRONT OF THE KEY TO BALANCE A GRAM OF HAMMER WEIGHT.   THE NEW TOUCH WEIGHT METROLOGY - NOW KNOWN AS SIMPLY TOUCH WEIGHT METROLOGY SPAWNED A RANGE OF NEW METHODS FOR ANALYZING, AND IMPROVING AND CUSTOM DESIGNING THE WAY PIANOS FEEL AND PLAY . 

1996

STANWOOD RECEIVED HIS US PATENT #5585582 FOR CALCULATING KEY BALANCING SPECIFICATIONS WITH THE EQUATION OF BALANCE.   

2000

INCORPORATED HIS BUSINESS AS  STANWOOD PIANO INNOVATIONS INC.

02/2000

PUBLISHED  "STANDARD PROTOCOLS OF THE NEW TOUCHWEIGHT METROLOGY" WHICH GIVE UPDATED TOUCH WEIGHT METROLOGY PROTOCOLS AND DEFINITIONS.  DESCRIBED A NEW METHOD FOR ISOLATING AND MEASURING FRICTION IN THE KEYSTICK AS WELL AS A METHOD FOR HOW TO MEASURE THE CONTRIBUTION OF SUPPORT SPRINGS IN LOWERING BALANCE WEIGHT.

03/2000

PUBLISHED "LOOKING AT GRAND PIANOS THROUGH THE EYES OF THE NEW TOUCHWEIGHT METROLOGY" AND DESCRIBED HIS TIME TESTED STRIKE WEIGHT SCALES THAT DELINEATE HIGH, MEDIUM, AND LOW ZONES WHICH MAKE IT POSSIBLE TO RATE AND QUALIFY HAMMER WEIGHT LEVELS IN PIANOS.    DESCRIBED  FOR THE FIRST TIME, IMPORTANT ISSUES SUCH AS COMMONLY FOUND JUMPS AND BUMPS IN MEASURED STRIKE WEIGHT SCALES WITH ATTRIBUTED CAUSES.  ADVOCATES THE NEW CONCEPT OF SMOOTHING STRIKE WEIGHTS AS A VIABLE METHOD FOR IMPROVING TONE AND TOUCH.   ALSO PUBLISHED HIS FINDING THAT WORKING ACTION RATIOS ARE NOT GENERALLY 5:1 AS WAS COMMONLY THOUGHT.  HIS FINDINGS SHOW THAT RATIOS OF 6:1 ARE MOST COMMON AND NORMAL RANGE FOR RATIOS IN THE MODERN PIANO IS FROM 5:1 TO 7:1.  

HE ALSO SHOWED HOW KEY LEADING AND ASSOCIATED FRONT WEIGHTS ARE WILD AND CHAOTIC IN PIANOS AND PUBLISHED HIS  “FRONT WEIGHT CEILING”SCALE.  THIS GUIDING SCALE OFFERS A MEASURE OF HOW MUCH LEAD IS TOO MUCH LEAD.  ABOVE THE CEILING BEING TOO MUCH.   

MOST IMPORTANTLY IN THIS ARTICLE HE PROPOSED THAT: “ASSOCIATING PARTICULAR ACTION QUALITIES WITH PARTICULAR COMBINATIONS OF STRIKE WEIGHT, RATIO, AND FRONT WEIGHT OFFERS A PRACTICAL APPROACH TO DESIGNING THE DYNAMIC FEEL OF AN ACTION.”    (ANOTHER WORD FOR DYNAMIC FEEL IS “INERTIA”) 

04/2000

PUBLISHED  "COMPONENT TOUCHWEIGHT BALANCING - BLUEPRINT FOR THE FUTURE" IN WHICH IS OUTLINED HIS FIRST VISION OF A BETTER PIANO WORLD BY LOOKING BEYOND THE OLD WAY OF SIMPLY PUTTING LEADS IN KEYS TO MAKE EVEN DOWN WEIGHT TO DESIGNING AND INSTALLING SMOOTH SCALES OF STRIKE WEIGHTS AND FRONT WEIGHTS IN ORDER TO PRODUCE DESIRED DOWN WEIGHT, BALANCE WEIGHT, AND UP WEIGHT LEVELS AS WELL AS A SPECIFIC DYNAMIC PLAYING QUALITY IN THE FINISHED PIANO.

2007

STANWOOD IS THE FIRST NORTH BENNET ST. SCHOOL GRADUATE TO RECEIVE THE  DISTINGUISHED ALUMNI AWARD

2009

STANWOOD IS FEATURED IN JOHN KORTY’S DOCUMENTARY FILM  “MIRACLE IN A BOX”

2009

STANWOOD SHOWS HIS  ADJUSTABLE LEVERAGE ACTION AT THE PTG NATIONAL IN GRAND RAPIDS, MICHIGAN. 

2011

DAVID STANWOOD, FRANS PIETJOUW, AND WIM FELDHAUS ESTABLISH THE  PRECISION TOUCH DESIGN ACADEMY EUROPE AKA PTDAE BASED IN HOLLAND FOR DEVELOPING SOFTWARE AND TRAINING FOR INSTALLATIONS OF STANWOOD’S TRADEMARK PRODUCT “PRECISION TOUCH DESIGN”IN EUROPE.  

2017

PRODUCES HIS CHART OF TOUCH DESIGN ELEMENTS AND SIMPLIFIED COMPUTER FREE METHOD FOR BALANCING GRAND PIANO ACTIONS WITH STANDARDIZED STRIKE WEIGHT AND FRONT WEIGHT SCALES.

 

ACCOLADES
A Stellar Reputation
IN THE PIANO INDUSTRY
 --Gordon Webster Jazz Pianist
"It's amazing what David has done with this piano. The uncanny thing about it is that I seem to be able to play all this stuff that I'm normally not able to play with quite as much facility. It just helps me to express the ideas that I'm thinking and they just come right out."

Woods Hole Massachusetts January 25, 2015  

Chickering Upright c 1896 with new soundboard, German Action, and Precision Touch Design by David Stanwood
--Seymour Bernstein
July, 20, 2015

My hat is off to David—an authentic genius. I shall never forget my experience playing his Magical Mason & Hamlin grand. 
I had the feeling with the first keys I depressed, that all possible sounds were possible. It was as though the tone and 
exotic dynamic was preordained by a master hand. That hand was David Stanwood. He is a blessing to the noble art of music.
December 2013
 
"David Stanwood brings more than technological innovation to the piano. His action system takes any piano, especially the great instruments of the world, into unchartered prodigious territory. I have owned a Bosendorfer Imperial, Steinway D, and now a vintage Faust Harrison Steinway C. When Mr. Stanwood reconstructed its action I was not prepared for the door he had opened to music making. The dynamics and sensitivity of the piano's action are not only more responsive, the range of musical expression is significantly widened. Each key produces a more desired tone that is in exquisite relationship with all the other sounded notes, chords have more unity and simultaneous participation of each note, shifts in mood are facilitated rather than resisted, subtle micro differences in musicality suddenly arise, macro clarity of intended variation are more readily accessed, and finally, there is an immediate entry into the always sought flow experience where musical desire and created outcome take place as if the fingers were in direct communication with the strings. Anyone wanting to go to the furthest limits of musicality and performance can not afford to be without this groundbreaking contribution to the piano. I now refer to my
instrument as a "Stanwood-Steinway". It is more than a perfect piano - it is the best of the past and future of all pianos. 

David Stanwood is a national treasure. Piano music has entered a new frontier of expression."
--Bradford Keeney, Ph.D.
Co-Founder, The Keeney Institute for Healing
Professor and Endowed Chair, University of Louisiana
 

More Pianists and Clients describe their Stanwood Precision TouchDesign experience:

December 2009
Gary Hadfield

Gary Hadfield had his prized vintage Bechstein Concert grand rebuilt but then it was worse than even before!

March 2007
John Callahan

John Callahan of Callahan Piano Service in Oakland California describes the effect that Precision TouchDesign has had on his business.

March 2007
Garrett Glass

Owner of a 10 year old Fazioli realizes the connection between the action and piano technique.

October 2006

Keith Jarrett (see also  November 1998 and  September 2000)

August 2006
Adam Lipsky

Talented and upcoming young pianist describes what he loves about Precision TouchDesign:

"The weight you use is the sound you get,"

January 2003
Garrick Ohlssen

This internationally renowned veteren Concert pianist has had many positive experiences performing on pianos upgraded with Precision TouchDesign.  He recently had his primary practice piano in his own home upgraded with PTD.

January 2003
Carol Swenson

Piano owner in Stanford, California wasn't happy with the work done on her Steinway.  After treatment with Precision TouchDesign she says: "the action is totally even, responsive and smooth as silk.  The sound is incredibly beautiful, the voicing perfect."

June 2001
Ricard de La Rosa
The founder of Pro Piano, North America's largest independent purveyor of concert grand pianos, comments on Stanwood's work.

May 2001
Eric Wolfley
Concert Piano Technician at University of Cincinnati College-Conservatory of Music describes his recent concert stage experience with Fred Hersch

September 2000
Keith Jarrett
Describes his take on Precision TouchDesign in the September 11, 2000 National Public Radio Iinterview on "Fresh Air" with radio host Terry Gross

October 1999
Kimberlea Daggy
Music Director of WFDD Public Radio at Wake Forest University, NC
"Why I love your piano"

October 2000,  September 1999
Russell Sherman
The renowned concert pianist of Boston comments on his extensive experience.
playing on pianos with Stanwood Precision Touch

March 1999
Peter Waters
A powerful testimonial by the well known Swiss Concert Pianist and Composer

February 1999
Andrew Rangell
Comments from a live radio interview

December 1998
Paul Haug
Director of the Schaffhausen Conservatory of Music, Schaffhausen, Switzerland.

November 1998
Keith Jarrett
Comments on the work done on his Hamburg Steinway C c1978, in his home Studio

June 1997
Charles Brown
Renowned pianist, Blues artist, and namesake of Ray Charles comments on his Stanwood experience.

April 1997
Kevin Vonderheydt
Arm pain and added expense made his dream piano a nightmare.

Pianists describe their experience playing on pianos with Stanwood Touch Design

June 1996
Ted Howe
Professional jazz pianist - His 5 year old Steinway D was too heavy for him to play comfortably.

January 1996
Victor Rosenbaum
Director of the Longy School of Music endorses Stanwood Touch Designs.

August 1995
Mark Goodman
Professional pianist - discusses his remarkable experience of practicing on a Stanwood Touch Design then performing on a Stanwood Touch Design.

August 1995
Dr. Ruth Lloyd
Describes how the Stanwood Touch Design System helped her recover from stress injury.

July 1995
Michael Kanan
This professional jazz pianist, was ready to scap his rebuilt Steinway Concert Grand.
Now it's his pride and joy.

September 23, 199
Delores Stevens
A Steinway Artist who travels the world performing on many different concert pianos.

April 1990
Richard Goode
Comments on his experience with Stanwood Touch Design installed on his own piano.

August 1988
Rudolf Serkin
Comments on playing an early Stanwood Touch Design prototype
at the Marlboro Music Festival.

Stanwood Touch Design System Homepage

THE NEW WORLD MODEL FOR BALANCING 
GRAND PIANO ACTIONS
WITH
DAVID STANWOOD
LIVE ONLINE!
SAT 9.15.2018
$987 / yr - 7 LECTURES + BONUSES
$200 Just $150 Until 8/30
*CAN'T MAKE THE LIVE LECTURE? Full online access to the lecture recording and related downloads is granted to all ticket holders.
BOAZ KIRSCHENBAUM
VOICING
How to Listen to A Piano
MARIO IGREC
ACTION BALANCING
Grand Action: A Balancing Act
DALE ERWIN & KEN ESCHETE
SOUNDBOARDS
Under the Bridge
MATCHING THE RIBSCALE TO THE DOWNBEARING
DAVID ANDERSEN
CONCERT PREP
How to Make a Piano Sing
TUNING, VOICING, REGULATION
DEL FANDRICH
PIANO DESIGN
DAVID STANWOOD
TOUCH DESIGN
STEVE BRADY
VOICING
The Art of Voicing
SAVE OVER $400
WITH
Season Pass
$987 / yr - 7 LECTURES + BONUSES
BENEFITS
  • Season Pass can easily pay for itself
  •  You won't have to leave your home, office, workshop or studio. 
  •  You won't pay for gas. 
  •  You won't pay for lodging. 
  •  You won't pay for flights to far off locales. 
  •  You won't lose potential income generating time while traveling. 
  •  You won't get tired or uncomfortable sitting for hours in a car or plane, in traffic or in line. 
  •  You won't miss your family. 
Features:
Only Available With These Presentations
1. Gain free access to download related resources—valuable documents containing written instructions, software tools, and more... 

priceless information, all kept in one place, that will give you the confidence to implement your new skills.
2. Join an exclusive Facebook group for extended discussion of topics covered. How many instructional recordings do you have that come with membership in a private ongoing discussion group? 

How much faster could you learn and apply these concepts if you had the support of a worldwide community exclusively focused on each lecture topic?
3. Live, interactive participation. Solidify your learning. Ask the questions you want and get the answers you need. 

Then enjoy the video recording as a resource for solidifying these concepts.
4. Access the recording. Watch again and again. Have the freedom to review the video at the moments that are most important to you. 

Why pay for the same or similar lecture twice when you can drill in essential content that you've already paid for? 

Be efficient with your investments.

5. View the video recording from any mobile device, at any time—even while you work on a client's piano. How many of your existing DVDs and Books are you able to view from your smart phone? 

Do you have a photographic, minute-by-minute memory of that last conference presentation? 

Why not relax and enjoy 21st century access?!
6. Enjoy a complete, searchable video transcript with time stamps, documenting every word. Search for terms and locate when they are discussed in the video. 

Waste no time finding the information you need when you need it.
7. Participate in a new experience, unlike any convention presentation or previously recorded material. 

Share in the fun and excitement as one of the privileged few original lecture participants.

There will be nothing dry or boring about this content!
FEEDBACK
We asked for feedback on our previous masterclasses and the response has been great!...
"[The instructor] is very good at this level of voicing. His experience at both Steinway and Mason & Hamlin far exceeds many of our experiences."
--Ron Moore: 
Moore's Piano Service, 
Fort Wayne, IN. 

Graduate of the Randy Potter School of Piano Technology. 
"[The instructor] is very competent in the field of voicing and does a fantastic job of transferring his knowledge to the participants of his lecture. I was very enlightened and entertained and appreciate his willingness to impart his knowledge with others."
--Jordan Porter: 
Fine Tuning, 
Boise, ID. 

Graduate with Highest Honors of the Randy Potter School of Piano Technology.
"While I already have a grounding in these areas of work, hearing another viewpoint gave me a new perspective on how to approach this subject. You should never stop learning, and this lecture substantially broadened my knowledge and understanding of piano tone control. Excellent work!"

--Julian Dendy
UK Piano Technician
Newark, Nottingham, United Kingdom
"[The instructor] knows what he is doing and is not afraid to share it. Very thankful for that as a technician that is new to this business"

--Wayne Knox
Wayne's Piano Service
Belton, TX
Unlike Any Existing Content Or Live Lecture
1. Enjoy a suite of resources. This lecture is not meant to replace any existing content, recording or conference presentation. A true craftsperson will seek education in multiple formats wherever they can. This is a completely unique, all-new way of learning with special features added to make it an undeniable value.

2. Avoid the frustration of sitting at the back of the room or crowding to the front as is typical in conference presentations, especially the good ones. Every participant and viewer has the exact same, up-close, loud-and-clear access to this engaging lecture.

3. Make valuable new professional connections and friends throughout the world. When you participate in this lecture and join the group of technicians who will treasure the recording you'll begin to build relationships with and recognize a whole new set of techs worldwide that are friendly, helpful and serious about learning. Although it's not the same as grabbing lunch at the convention, the barriers of space and time are broken down and professional relationships become a whole new experience.

4. The value is clear. If you are attending a national convention you might end up spending hundreds per class, even if you can fit in 15 or more lectures. Because, when you do the math, you can spend as much as $3,000 on travel, lodging, registration, rental cars, etc. And you're likely to miss out on several hundreds or thousands of dollars in missed work opportunities too.

Do not attempt a comparison. This experience is a world apart from what you'll find at a convention or in a book or traditional recording.
FEEDBACK
What previous live lecture participants are saying:

For each previous lecture we've conducted a thorough surveys afterwards. Here's what we learned when we asked "How much could one lecture's content increase your income in the next 12 months?"
A full 91.7% of participants surveyed predict earning extra income because of one lecture.

Some foresee a returns of$10,000 or more.

Apply your knowledge and pay for it outright. 

Double, triple, 10X or 100X your investment.

You decide.
What previous live lecture participants have been saying:

Would you recommend this lecture? If so, why?
"Oh yes, [the instructor is] amazing. He's a pro, and a real talent in teaching and has so much experience that he really knows what he's talking about. Also, he can present things very logically and is easy to understand, but still is funny and nice to listen to."
Kirsi Lassi
Kirsi Lassi: Finnish Piano Technician. Student of the Bechstein factory in Berlin and the Yamaha Piano Technical Academy in Japan. 
Would you recommend this lecture? If so, why?...
"Yes, clarifies some things people (including myself) think they are experts in, but are not."
"Yes, lots of good information not normally available in my circles"
"Yes, to push understanding of what we are doing as techs."
"Very educational for all techs."
"[The instructor] made the math easy to understand, and explained how the numbers actually make the touch feel—bringing theory to practice."
"[The instructor] is a consummate professional and presents his material with attention to detail." 

--Mark Campbell
Campbell Piano Shop
Calhan, CO

What are the Piano Technicians Masterclasses?
If you are a piano technician who's obsessed with quality. If you're constantly looking for ways to improve. If you just can't get to every guild meeting or every piano industry convention, but you're determined to learn advanced skills and offer the highest quality of service to your clients. If you are leaving money on the table because you want to offer more to your clients but not before you know exactly how to do things right. If you want your clients to love you and to feel that you are offering them the very best...
Advanced
high quality
Dynamic instructors
  • Advanced: Topics that will enrich your craft.
  • High Quality: High quality audio and video.
  • Dynamic Instructors: The best of the best.
The Piano Technicians Masterclasses are a new series of advanced, high quality, in-depth, interactive training seminars offered to the discerning piano technician. Each unique lecture is hosted by a recognized expert in the piano industry, who is not only experienced in practice but who is also a dynamic and successful educator.
Obessed With Quality
Determined to Learn Advanced Skills
Clients Love You
Global Access
Our mission is to offer access to each new, innovative lecture, to qualified technicians regardless of their location on the globe. Lecture participants have the opportunity to form globe spanning relationships with other technicians who care about advancing the piano Industry. 
FEEDBACK
"PTM allows me to join the classes I otherwise wouldn't be able to, because of geographical issues."
"PTM [Piano Technicians Masterclasses] has the potential to change how we learn our craft and trade."
"It allows me to attend lectures by top teachers at home."
"PTM is a good source to learn from home."
"It is incredible to have this platform enabling technicians from different parts of the world to share skills and knowledge. We're no longer restricted geographically."
"This is a great way to further your education"
"This class does indeed have value for me and was well done. I look forward to the next one." 

--Wayne Knox
Wayne's Piano Service
Belton, TX
"This was a great class on a great platform. Far better than having to travel and lose a weeks worth of work and sit in a cold hotel room for 2 hours." 

--Ron Moore
Moore's Piano Service
Fort Wayne, IN

Advanced
high quality
Dynamic instructors
Obessed With Quality
Determined to Learn Advanced Skills
Clients Love You
SAVE OVER $400
WITH
Season Pass
$987 / yr - 7 LECTURES + BONUSES
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